Cecil Taylor- Garden (1981)
free jazz - solo piano
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http://rapidshare.com/files/395631978/ctgard.rar.html
http://www.youtube.com/watch?v=cP5L8tjnB6w
Tracklisting
------CD 1-------
01 (27:00) Elell
02 (24:47) Garden II
------CD 2-------
01 (11:25) Garden 1
02 (08:42) Stepping on Stars
03 (08:29) Introduction to Z
04 (03:30) Driver Says
05 (06:31) Pemmican
06 (02:47) Points
Cecil Taylor - Garden (1981)
Avant-garde jazz | 2CD | MP3 128Kbps | 120 MB
Label: hatHUT


Cecil Taylor - In Florescence (90)
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1 J.   2:52
2 Pethro Visiting the Abyss   7:08
3 Saita   3:00
4 For Steve McCall   1:00
5 In Florescence   3:02
6 Ell Moving Track   5:15
7 Sirenes 1/3   0:48
8 Anast in Crisis Mouthful of Fresh Cut Flowers   3:37
9 Charles and Thee   8:00
10 Entity   2:32
11 Leaf Taken Horn   4:53
12 Chal Chuiatlichue Goddess of Green Flowing Waters   11:29
13 Morning of Departure   3:13
14 Feng Shui   4:35
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Cecil Taylor - Unit structures (1966)
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Tracklist:
1. Steps 
2. Enter Evening (Soft Line Structure) 
3. Enter Evening 
4. Unit Structure 
5. As Of Now 
6. Section 
7. Tales (8 Whisps)
First performance from Taylor's "Unit Structures" album. Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on May 19, 1966. Cecil Taylor (piano, bells); Ken McIntyre (alto saxophone, bass clarinet, oboe); Jimmy Lyons (alto saxophone); Eddie Gale Stevens Jr. (trumpet); Alan Silva, Henry Grimes (bass); Andrew Cyrille (drums).
http://www.youtube.com/watch?v=D8NEL2tagOs

foto Cecil and his cat on piano in his home in 1960
http://upload.wikimedia.org/wikipedia/commons/a/a3/CecilTaylor.jpg
CD Description
One of the most important albums of the 1960s free-jazz movement, UNIT STRUCTURES is an exemplary document of advanced musical conception and fiercely intense improvisation. CecilTaylor had been working as a pianist, composer, bandleader,and iconoclast since the mid-'50s, with an increasing allegiance to radical, atonal music; his innovations kept pace with (and, in many cases, preceded) those of contemporaries like Ornette Coleman. The influence of modern classical music (the dramatic, fragmentary scores of Stravinsky, for example) plays heavily in Taylor's vision. The presence of oboe, bass clarinet, and bells on UNIT STRUCTURES (in addition to trumpet, alto sax, and a standard rhythm section) highlights the parallel.
As a pianist, Taylor specialises in violent,rapid-fire chord clusters, churning up clouds of sound withmachine gun-like rapidity. His lengthy compositions have a dynamic ebb and flow, weaving a tapestry of voice-like criesand phrases that build in tension before exploding in a cacophonous frenzy. For all its turbulence, UNIT STRUCTURES is perfectly balanced, revealing interlocking parts that make good on the album's title. A certified free-jazz classic, UNIT STRUCTURES is a must for anyone remotely interested in thestyle.